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Showing posts with label Conservation. Show all posts
Showing posts with label Conservation. Show all posts

Wednesday, 11 December 2013

Hoping to Save the Remains of a Ming Dynasty Temple

Posted on 22:00 by john mical
THE NEW YORK TIMES
By Didi Kirsten Tatlow
CHINA---First a printing press, then real estate developers, now a welding-machine factory. Everyone has taken a piece of Nianhua Si, or Picking Flowers Temple, a Ming dynasty place of worship in the storied Drum Tower district of Beijing. Yet the real threat to the temple — dozens of historically and religiously significant buildings begun in 1581, the ninth year of the reign of the Wanli Emperor, and given its present name in 1734 during the Qing dynasty — isn’t decay, say residents and conservationists. It’s redevelopment. [link]
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Posted in Art Buddhist, Congregations, Conservation, Sacred Spaces | No comments

Tuesday, 19 November 2013

Restoration of Interiors of Sikh Golden Temple to Begin Soon

Posted on 03:49 by john mical
SIKHSIYASAT 
By Parmjit Singh
Detail from the blackend golden plating from the temple
INDIA---It is learnt that the Shiromani Gurdwara Prabhandak Committee has hired a private firm to restore the interiors/wall-paintings at Darbar Sahib. The gold-plating inside the shrine has turned black apparently due to rising pollution while at a few places it is peeling off the walls. Similarly, the artwork on the upper floor has also suffered damage at various spots, particularly along the staircases leading to the top floor. When launched, it would be the first ever ‘kar sewa’ on the interiors of the shrine. The gold-plating and the artwork inside the Golden Temple dates to the Maharaja Ranjeet Singh era. The interiors of Sri Harmandar Sahib boast of rare architecture comprising ‘mohrakashi’, ‘tukri’ and ‘gach’ work. [link]
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Posted in Art Sikh, Asia, Conservation, Sacred Spaces | No comments

Wednesday, 9 October 2013

From Denmark to Utah: Transporting Century-old Art

Posted on 07:00 by john mical
DESERET NEWS
By Emmilie Buchanan-Whitlock
Panels are removed from an altar painting at Vor Frue Kirke in Aalborg, Denmark.
UTAH---How do you transport a painting more than a century old from a castle in Denmark? The answer, said Dawn Pheysey, Brigham Young University Museum of Art's head curator, is very, very carefully. The paintings in the BYU Museum of Art's upcoming free exhibit, "Sacred Gifts: The Religious Art of Carl Bloch, Heinrich Hofmann and Frans Schwartz," which opens Nov. 15, are being transported from nine different locations in Germany, Sweden, Denmark and New York City.Altar paintings are taken from the altar in their respective churches and placed facedown on a clean, white archival material on the floor. All paintings must be transported in the upright position. Some, because of their size, require their own plane to make the trip to Utah.[link]
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Posted in @BYUMOA, Art Christian, Conservation, Museums, Utah | No comments

Thursday, 26 September 2013

Silk Road Artists Copying China's 492 Caves "Stroke for Stroke"

Posted on 05:00 by john mical
PEOPLE'S DAILY ONLINE
A wall painting in the Mogao Grottoes (Xinhua)
CHINA---While the ambitious plan to revive the Silk Road by building an economic belt hit recent media headlines, dozens of painters are working silently in the gloomy caves of the Mogao Grottoes in Dunhuang, Northwest China's Gansu Province, once a major stop along the ancient route. With brushes and mineral pigments, they copy wall paintings stroke by stroke, trying to preserve the Buddhist art made by their ancestors over a millennium dating back to AD 366. Housing 45,000 square meters of murals and 2,415 painted sculptures, the 492 caves of the Mogao Grottoes were inscribed on the UNESCO World Heritage List in 1987. "Such copies can help the paintings endure and display this unmovable art to more people," Wang Xudong, director general of Dunhuang Academy, told the Global Times. The academy, established in 1944, is dedicated to safeguarding the relics in Dunhuang. "Nevertheless, less than 20 caves have been fully copied so far," Wang said, adding that about 40 painters now are working full-time on this Herculean task. [link]
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Posted in Art Buddhist, Asia, Conservation | No comments
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Blog Archive

  • ▼  2013 (500)
    • ▼  December (80)
      • Final Christie's Report: Detroit Art Worth Up to $...
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      • Museum Review: The Unfulfilling "Records of Rights...
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      • Winter Solstice Marks New Dawn for Ancient Monumen...
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      • Nevet Yitzhak Exhibit Peels Off the Prevailing Vie...
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      • Eastern Michigan University Students AMP Up the Arts
      • Bindu Accompanied by Hindi Verses Acquires Deeper ...
      • Utah Art Exhibit Stretches the Definition of ‘Spir...
      • Crib Guide: in Search of the First Christmas-Card ...
      • Turkish Fashion Label Wins Prestigious Jameel Isla...
      • Catholic Boy Blues...Coming Soon to a Bookstore Ne...
      • ‘12 Years a Slave’ Honored by Hoosier Film Critics
      • Three Gifts Wrapped in the True Meaning of Christmas
      • Op-Ed Column: Gay Catholics Still in Exile Under P...
      • Time to Sell the Family Jewels, Detroit
      • An Unbeliever in Disney World: "Saving Mr. Banks" ...
      • RELIGIOUS ART | NEWS OF WEEK
      • When Two Become One! Saint Louis Arts Groups Hopef...
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      • Jamaica's National Gallery to Explore Religion and...
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      • Common Sense: Record Prices Mask a Tepid Art Market
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      • A Day of Enlightenment: Bodhi Day on December 8, 2013
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      • Giving Tuesday 2013 Was Huge Success for Arts & Re...
      • Movie Review: "The Hunger Games: Striking Fire"
      • Religious Rockwell Art Sells for Record $46M at NY...
      • Arts Journalism--A New Opportunity for Nonprofit &...
      • Artist Wang Luyan Explores All of Life’s Paradoxes...
      • Springville Museum of Art Annual Exhibit Emphasize...
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      • ‘Infinity Mirrored Room’: Yayoi Kusama’s Installat...
      • RELIGIOUS ART | NEWS OF WEEK
    • ►  November (128)
    • ►  October (175)
    • ►  September (117)
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